电影天堂为您提供1968年由让·雷诺阿 亨利·朗格卢瓦 主演,埃里克·侯麦 导演的《路易斯·卢米埃尔》/原名《Louis Lumière》电影在线观看,《路易斯·卢米埃尔》百度云网盘资源以及《路易斯·卢米埃尔》高清mp4迅雷下载，《路易斯·卢米埃尔》BT下载，希望您能喜欢！
Eric Rohmer导演关于Louis Lumière的纪录片。访谈了法国导演Jean Renoir与电影手册创始人Henri Langlois。其中有很多珍贵的早期影像。
Plot Summary:Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière. The cinematographic pioneer Lumière produced thousands of documentaries in the end of the 19th century, but also some short comedies with amateur actors. The films are done in one shot and are only 1 minute in length. Lumiére and his operators chose a place, put up the camera and then recorded what happened in front of the lens. In spite of this both Renoir and Langlois argue that the films of Lumière are not simply reproductions of reality, but pieces of art. Renoir points out that Lumiére didn't just reproduce the externals of what he saw, but also its spirit and inner life. The films are not only showing a piece of contemporary reality, but Lumière's vision of that reality. Langlois remarks that the films of Lumière were not made at random, but out of a consciously chosen dramaturgy and composition. Lumiére and his team chose, after long deliberations, the motif of the film as well as the camera-angle. There is usually some kind of beginning and end of the film. The main action never occurs in the center of the screen, but either at the right or the left side of it. This means that the main movements happen along a diagonal across the screen, which produces a dynamic impression. The films are made in one shot, but the shots are usually very deep, which means that you get some close-ups in the foreground at the same time as you see something happen in full scale behind that and something else even more far away. The conversation with Renoir and Langlois is interspersed with some of Lumière's films, to underline the arguments.
Madman • 笔记，以及一些关于早期电影的独立思考
1、”卢米埃尔的操作员拍的"电影是有意识的设计，还是静态的捕捉自然的偶然呈现。朗格鲁瓦刚说完“卢米埃尔没有将摄影机对准历史，而是展示了生活。”侯切到了卢拍摄的《纪念碑》，尽管前景满是人流，后景...